Gary Owen‘s fabulous play is set in small town Wales and tells the story of one particularly eventful Saturday night, through the eyes of three different characters. Despite being gritty and violent in places the play also drifts into the fantastical and ethereal and it is my intention to harness this heightened sense of reality in my sound design.
Crazy Gary’s Mobile Disco is directed by Leann O’Kasi and opens at The Tron on Tue 24th May and runs until Sat 28th May.
The show, performed by Tron Skillshops, examined what society would be like if there was no individuality and all young people were identical.
Barcodes became more and more significant as imagery in the piece, which was reflected in the superb set design by Peter Screen.
It seemed only fitting that the sound design should incorporate the beep of a barcode scanner.
This soundscape was made by sampling a barcode scanner sound and playing it back at different pitches.
These sounds were then re-sampled and processed in various ways including delay and pitch shifting. The processed sounds were then layered up to create texture and movement within the soundscape.
The pad and drone textures were created in Logic softsynth Sculpture.
I am currently creating music and soundscapes for the Tron Skillshops production Project Branded which explores the differences between individuality and conformity.
I am working on a theme based upon musical rounds that uses a series of identical parts, echoing the subject matter in the performance.
Snow flakes falling down
Landing gently on the ground
Made crisp and cold by Jack Frost’s hand
A magic winter wonderland!
I have been invited to create the soundtrack for The Tron‘s studio Christmas show, A Very Cosy Christmas and I’m really looking forward to it. I think the glockenspiel may have to be dusted off yet again to make sure there is some magical sparkle in there.
The show opens 4th December at Tron Theatre in Glasgow.
Find Me Elsewhere